Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

2021威尼斯电影节非竞赛展映。

2021威尼斯电影节非竞赛展映。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

屡获殊荣的媒体艺术家雷菲克·安纳多尔（Refik Anadol）与意大利珠宝世家BVLGARI宝格丽携手开启一场沉浸式艺术之旅，探索品牌最具标志性的"灵蛇"符号的无限维度。这是一场历时一年的创意实验﹣﹣艺术灵感与数字创新在此交融，匠心工艺与科技未来于此共鸣。本片首次独家记录这一创想过程，揭秘传统与革新如何碰撞共生，最终缔造出时代杰作。

公司职员辻工作认真负责，颇得上司和客户的欣赏。但他对于感情暧昧不清，同时与两名女同事保持着亲密关系。一天，就在辻对自己感到迷惘、不安之际，他遇到了一个名为“浮世”的神秘女子，还在道口救了她一命，一段纠葛不清的情谊由此开始。浮世似乎对人毫无防备之心，这使得她不断地给自己和别人带来问题。但是每当她陷入麻烦，辻却仍是一次又一次地帮她脱困，这也让辻陷入了更糟糕的境地。改编自著名漫画家星里望留的漫画原作，曾经拍摄成电视剧集，电影版入选第72届戛纳国际电影节。

公司职员辻工作认真负责，颇得上司和客户的欣赏。但他对于感情暧昧不清，同时与两名女同事保持着亲密关系。一天，就在辻对自己感到迷惘、不安之际，他遇到了一个名为“浮世”的神秘女子，还在道口救了她一命，一段纠葛不清的情谊由此开始。浮世似乎对人毫无防备之心，这使得她不断地给自己和别人带来问题。但是每当她陷入麻烦，辻却仍是一次又一次地帮她脱困，这也让辻陷入了更糟糕的境地。改编自著名漫画家星里望留的漫画原作，曾经拍摄成电视剧集，电影版入选第72届戛纳国际电影节。

以“东方符号”为主题，演员、礼仪指导张晓龙作为主理人将前往探访具有此特质的六位精英人物：服装设计师劳伦斯·许、人像摄影师肖全、舞蹈家黄豆豆、民族乐队杭盖乐队、京剧表演艺术家胡文阁、古建专家马炳坚，与其畅谈东方之美，并品读人生，生动诠释时间沉淀的意义。

入围第十二届中国独立影像展“广阔天地”展映单元